|
Teatro de la Luna |
|
—al mejor estilo latinoamericano |
|
—with the best Latin American flavor |
|
|
|
Press Release -
For Immediate Use
- October 15, 2026 / Contact: Nucky Walder |
| |
|
WHAT: |
|
"LA CRÍA / The Creature" by
Carlos Talancón |
|
|
|
|
WHEN: |
|
November 6 - 22, 2026
Friday & Saturdays, 8:00 pm; Sundays 3:00 pm
special presentation Thursday 19, 8pm
In Spanish with English Surtitles |
|
|
|
|
WHERE: |
|
TEATRO
DE LA LUNA
4020
Georgia Ave. NW. Washington, DC 20011
Georgia
Ave-Petworth Metro Station (Green and Yellow Lines)
Street Parking (FREE on Sundays) |
|
|
|
|
TICKETS: |
|
$30 and $25 Students & seniors
(+60 years) |
|
|
|
|
INFORMATION: |
|
202-882-6227 www.teatrodelaluna.org |
|
| |
|
|
|
|
|
Teatro de la Luna y Edwin Bernal Productions
|
|
present |
|
|
"La
Cría / The Creature" |
|
|
|
TEATRO DE LA LUNA
and
EDWIN BERNAL PRODUCTIONS
are proud to premiere in the
metropolitan area,
LA CRÍA,
by Mexican playwright
Carlos Talancón,
starring
Edwin
Bernal,
Ixchel Hernández,
and
Marco Echeverria,
under the direction of
Edwin Bernal.
The play will be performed in Spanish
with simultaneous English surtitles. |
|
|
|
LA CRÍA
will be staged at Teatro de la Luna,
4020 Georgia Ave. NW, Washington, DC
20011, on Fridays and Saturdays at 8:00
p.m. and Sundays at 3:00 p.m., for three
consecutive weeks, from November 6
through November 22 of this year. During
the final week, a special performance
will take place on Thursday, November
19, at 8:00 p.m. As always, audiences
are invited to participate in the
theater’s traditional Friday
Discussions, led by special guest
moderators. On Saturday, November 7, a
reception will be held for attendees
following the performance. |
|
|
|
ABOUT THE PLAY |
|
|
|
As its author explains, “La Cría
explores the pathological limits of
devotion within a fantastical
aesthetic.” The play takes us into the
extraordinary extremes to which a couple
will go to keep alive what they love
most: the creature that gives meaning to
their existence. Completely cutting
themselves off from contact with the
outside world, the couple devotes itself
exclusively to caring for a wholly
insatiable character. |
|
|
|
ABOUT THE PLAYWRIGHT |
|
|
|
Carlos Talancón
(1981) is a Mexican playwright, fiction
writer, and poet. He holds a degree in
Dramatic Literature and Theater from the
Faculty of Philosophy and Letters (FFyL)
at the National Autonomous University of
Mexico (UNAM), as well as a master’s
degree in Creative Writing from Pompeu
Fabra University (UPF). He has also
participated in workshops led by
renowned theater practitioners,
including Eugenio Barba, Abraham
Oceransky, and Héctor Mendoza. Talancón
won an award at the 12th National
University Theater Festival and received
a fellowship from the Mexican Foundation
for Letters (FLM) for 2008–2009. Several
of his plays have been staged at
prominent theaters in Mexico City, and
one was selected for presentation at the
National Theater Showcase Entretelones.
In 2013, he received an Honorable
Mention in the National Playwriting
Award. In 2017, he was recognized by the
Association of Theater Critics and
Journalists (ACPT) for Best Playwriting.
He also participated in the 38th
National Theater Showcase. |
|
|
|
ABOUT THE
DIRECTOR-ACTOR |
|
|
|
Edwin Bernal
(Guatemala) is a
graduate of the Prometeo Conservatory of
Dramatic Arts at Miami Dade College
(USA). His works include “Tacones, The
Sins of the Father” by C. García, “Dream
DC”, “Dar en la Tecla” and “Hermanita
Querida” both by M. Moro, “Fuente
Ovejuna” by Lope de Vega, “The Tell-Tale
Heart” by E. Allan Poe, “El Nuevo
Artista” by A. Marte, “Amén 2” by Juanda
Hall, “Óyeme The Beautiful” by M.
Gonzales, “Jardín Salvaje” by K.
Zacarías, “Pequeñas Infidelidades” by M.
Diament “El Mundo de los Sueños” (a
monologue from “Hamlet” by W.
Shakespeare), “Cuerpo en Alquiler” (of
his penmanship), “De Hombre a Hombre” by
M. Moro, “Andar Sin Pensamiento” by J.
Huertas, “Calígula” by D. Eróliga,
“Chronicle of a Death Foretold” (adapted
by J. Alí Triana), “Yo tambièn hablo de
la Rosa” by E. Carballido, “La llamada
de Silvia Méndez” by C. Cody, and
others. He has performed in theater in
Puerto Rico, Washington D.C., Miami,
Connecticut, and New York. Winner of an
ATI Award and an Arte Internacional
Award for Best Actor for “The Tell-Tale
Heart” (2024); Winner of the ATI Award
for Best Actor (International Award
2024) for “The Tell-Tale Heart.”. He was
nominated for Best Actor at the ACE
Awards (New York, 2017) and Best Actor
at the Latin Community Awards (D.C.) for
his performance in “De Hombre a Hombre”
(2016), and has received awards for Best
Direction and Acting at the Artspoken
Festival (Miami, FL, 2016). Most
recently, he won the Capital Emmy Award
2026. |
|
|
|
ABOUT THE ACTORS |
|
|
|
Marco Echeverría (Chile)
is an active participant in Washington,
D.C.’s Latino cultural scene, with a
particular interest in theater and
poetry. He has participated in acting
workshops at Teatro de la Luna and the
Mexican Cultural Institute, and has
served as a member of the Board of
Directors of Teatro La Bolsa.
His theater credits include Play
readings of “Tierra del Fuego” and
“Vuelo a Capistrano” with Teatro de la
Luna; “La calle de la gran ocasión” at
the Mexican Cultural Institute; and Bar
abierto with Teatro La Bolsa.
His experience also includes cultural
management and behind-the-scenes work,
reflecting an ongoing commitment to
promoting Latin American culture and
strengthening community cultural spaces.
La cría marks his first professional
theater performance. |
|
|
|
Ixchel Hernández (El Salvador)
makes her debut on the Teatro de la Luna
stage. Her credits include the Kennedy
Center TYA 2025 National Tour of “Look
Both Ways”; Theater Alliance’s “Woody
Guthrie American Song and “Poetry for
the People: The June Jordan Experience”;
La Pluma Theatre’s La Pájara de San
Juan; and Teatro GALA productions
including “La casa de Bernarda Alba”,
“Héctor, el niño eléctrico”, “Frida
libre”, and “Quijote y Sancho Panza,
nuevas andanzas” Her additional credits
include NextStop Theatre Company’s
“Dream Hou$e” and “In the Heights”;
Glass Cannon Theatre Company’s “Los
empeños de una casa”; Folger Theatre’s
“Cymbeline: A Telenovela Melodramatic
Western”, “DC, I Love You: First Dates”,
and “DC, I Love You: Ready or Not”;
Rorschach Theatre’s “Human Museum”; and
Constellation Theatre Company’s
“Incognito”. |
|
|
|
|
|
REMINDER:
* Tickets: $30; $25 -Students and
seniors 60 and over |
|
|
|
* Street Parking
(Free on Sundays) *
Buy on-line www.teatrodelaluna.org
|
|
|
|
Note: Two
Courtesy Tickets available for press
members for each performance. |
|
|
|
|
| |
Teatro de la Luna, founded in 1991, produces
performing arts and other events that celebrate Latin American
culture and seeks to connect Spanish-speaking and English-speaking
communities. La Luna has been recognized for its cultural
contributions on several occasions. La Luna Director Mario Marcel
received the Elizabeth Campbell Award for advancement of the arts
from the American Association of University Women’s Arlington
Chapter. On two occasions, La Luna was honored with the STAR prize
from the Arlington County Commission for the Arts for its
administrative excellence and service to the community; In 2017,
received the Working for the Community award from NBC4. La Luna
Producer Nucky Walder received the Latina Woman Leadership 2009
award and the 2018 Lifetime Achievement Award from DC Mayor Muriel
Bowser through the Office of Latino Affairs. In 2020, Teatro de la
Luna was interviewed by Channel 7 WJLA and in 2021 by Telemundo-Channel
64. Marcel received a recognition from Fundación Nueva Esperanza in
May 2023 and most recently, both Walder and Marcel, in April and
May, 2024 from LatinX Warriors DMV and from Latinas con Voz,
respectively. In December 2024, La Nacional-Spanish Benevolent
Society, Bi/Coa Bicultural Community of the Americas, in New York
recognized the extraordinary cultural and artistic contribution of
Teatro de la Luna to the DC metropolitan area. |
|
|
|
The goal of bridging
the Spanish-speaking and English-speaking communities is achieved by
|
|
promoting dialogue and involving community members in these cultural
bilingual events. |
| |
Teatro de
la Luna is a 501(c) (3) non-profit organization and
receives the support of
DC
Commission on the Arts and Humanities, SERVE DC District
de Columbia Mayor’s Office on Latino Affairs,
foundations, corporations and individual donors.
|
|
|